3-5, Books, Elementary Music, K-2, Lessons

I Know a Shy Fellow Who Swallowed a Cello

Most music teachers include lots of books in their elementary music classes. I see this all the time on social media, in trainings, and in classrooms. But can I admit something to you? When I was first starting out, I felt like i was very unclear as to HOW to go about incorporating books. Like– what do you actually do with them? (And don’t say read them.)

A while later, and I am (finally!) starting to get the hang of using books in my normal classroom life. So if you are thinking, “I want to use books but I don’t know how!” Then this post is for you.

One book that I did not struggle with incorporating is the book I Know a Shy Fellow Who Swallowed a Cello— a title which will from here on out be shortened, because wow that is long. I got this book from my mentor teacher during student teaching and I love it. It is based off of the There was an Old Lady Who Swallowed a Fly books, but everything the shy fellow swallows is an instrument!

Seriously, I love it.

And so do the kids.

So I figured it is the perfect book to introduce to you. Here are a few different ways that you can use this book in your classroom– some of them you could incorporate tomorrow.

If you don’t already have the book, you can get it here for cheap!

Also read: Game and Lesson for Brown Bear, Brown Bear What do you See?

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room

Acting it Out

This is one of my personal favorites.

As you read the book, have students look at the pictures of each of the instruments. Have them mime with their hands how to play the instruments. So every time you say cymbals, students can pretend to hit cymbals together in their hands. When you say cello, they can hold one hand up and use the other to play the imaginary bow.

This gets the students involved in the story annnnd the added bonus is that they are now thinking about how each instrument is played rather than “Oh a cello is some kind of instrument I’ve never heard of before.”

Speaking of which….

Show and Tell

For instrument show and tell, you can read the book and then have students look at pictures or posters for each instrument and talk about how it is played.

If you have any of these instruments (and, btw, you can get a fancy silver kazoo on Amazon for cheap here), bring them in! I love to bring in my cello and show the students what it looks like and how it is played. They are always super amazed (and impressed by my Mary Had a Little Lamb rendition).

Oh course, you probably don’t own a cello AND a harp AND a saxophone AND a flute AND cymbals AND all of the other things, but if you have one of them, it is still going to make a huge difference for the students.

And again. Kazoo.

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room

Introduction to Instrument Families

This is what I used for my students this year, and it worked really well. I taught 2nd and 3rd grade about the instrument families. Later on, we read this book. While reading the book, I stopped at each instrument and had the students tell me what family that instrument belonged to. If they were correct, then they got to go to the board and put the picture of the instrument onto the section of the board.

For example, after the shy fellow swallowed the cello, I asked, “What instrument family is the cello in?” Athena says, “Oh it’s in the string family!” Athena walks up to the board, finds the cello, and puts it in the section of the board labelled “strings”.

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room

By the way, Athena is my dog, not one of my students. She is sitting next to me while I write this, so I thought I would include her.

A few days later, I have the student do pretty much the same activity but on a printed worksheet. Students write or draw the names of each of the instruments in the boxes that correlate with that instrument’s family.

If you are interested in the worksheet, instrument posters, or in the cut outs of the instruments or any of those things, you can get them all in my TPT product here!

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room

Singing

Did you know that there is a song that goes with the There was an Old Lady who Swallowed a Fly books? There is!

Here is the best video I can find that has the melody, although we did it much faster than this.

I use the original book at the beginning of the year with my kinders to show the students the difference between singing voice and talking voice (read about that lesson here!). So I read it one day and I sing it another day.

Then if we read any variation like There was an Old Lady Who Swallowed a Bell (or a clover!) or I Know a Shy Fellow Who Swallowed a Cello, the students can sing along with it the first time!

Instrument Playing

This one is a little bit trickier, but cumulative songs like this are fun to use with instruments. You assign each instrument a word in the song, and every time the word comes, you have a student play that instrument.

Parts of this book would be perfect, and others would take more creativity. Cymbals and a bell would be easy to come by, but finding an alternative to a cello or harp that won’t confuse the students would be more challenging.

Although, it would be a perfect time to pull out all of the autoharps in my closet that I don’t know what to do with…

If you have done this before or have a good idea for which instruments to use in your classroom, let me know in the comments!

Also read: The Tick Tock Song (sol/mi and ta/titi)

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room

So there are 5 ways to use I Know a Shy Fellow Who Swallowed a Cello in your elementary music classroom! If you need the book, you can check it out here. If you are interested in the product on TPT so you can have more resources (many of which are really great for subs!), you can check that out here.

And don’t forget to sign up for the FREE resource library– all you do is put your email in, and you have access to all of the resources in the library (including quizzes, powerpoint, beat charts, lyric sheets, and more!)– and new resources are added monthly! Sign up here!

How would you use I Know a Shy Fellow Who Swallowed a Cello in your classroom? Which was your favorite idea? Or do you have another idea? Let us know in the comments!

Happy teaching!

5 Ways to Use I Know a Shy Fellow Who Swallowed a Cello in the elementary music classroom. Want to incorporate more books into your music lessons but don't know how? Check out these ways to use my favorite book to teach instruments of the orchestra, singing, and more! Becca's Music Room
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Elementary Music, K-2, Lessons

Free K-1 Music Lesson: The Tick Tock Song

You know those songs that you find and you are not sure if your kids will like it, then they love it? That’s how the Tick Tock song was for my classes. I thought it looked/sounded cute, but it was a HUGE hit! My kids wanted to keep doing this song over and over and over again.

And of course we love any songs that keep students singing!

I used this as a movement activity and for playing instruments, but I am planning to bring it back to teach rhythm. It is a ta and titi song as well as a sol-mi-la song. So of course you can use it for any of those.

I do have a TPT product for this, which you can get here. It has rhythmic and melodic practice with flash cards, slides with rhythm and melody, clock faces, beat charts, and basically everything you need for a super smooth class. If you just want to get a preview to use in your classroom with slides for lyrics, solfege, and rhythm, then you can get that in my free resource library. If you have not accessed my free resource library, then you will need to click here. You provide your email and then you get the password and you can download everything in the library! I only email twice a month, so I won’t be spamming you, and of course you can unsubscribe anytime (but you won’t want to because, again, FREE RESOURCES).

PS My second graders also really enjoyed this song!

Also read: Free Music Lesson: Brown Bear Brown Bear

Free Elementary Music Lesson: The Tick Tock Song. This is one of my kindergarten and first graders' favorite songs! We use it for movement, rhythm, and solfeggi. It is perfect for sol-la-mi or ta and titi. Becca's Music Room



Tick Tock Song

  1. Teach students the Tick Tock song by rote. You can focus on rhythm or melody. You can find both the rhythm and melody on the free slide in my resource library or you can get all of the resources in my TPT.
  2. Teach the students the movements to the song. I always (ALWAYS) start non-locomotor movements and then switch to locomotor movements if the students can handle it. The movements are a little bit awkward because they really aren’t supposed to be non-locomotor, but my kids did not notice or care. Here are the movements:
  • Walk in place
  • At “open wide”, open your arms up wide
  • At “cuckoo”, bend your body sideways for each cukoo

I learned this from a video on this YouTube channel. It no longer seems to be on YouTube and the link from my Pinterest is broken. So he gets the credit even though you cannot see it!

3. Each time, ask a student to pick what time it will be. This can make it entertaining for hours, because they all want to pick the time. I like to use a plastic teaching clock like this one or the clock cut out in my TPT product to show the time, because most students cannot tell time on analog clocks. I don’t spend a ton of time on it, but we do talk about the big hand and little hand and the hours and then I will change the time each time we sing.

4. If they are doing a good job with that, then we will do it in partners. Now, of course, you have to make sure that you prep them VERY well before doing anything in partners. Since they are so young, I like to model with a student a few times before I let them do it. Basically, one person is the clock and one is the cuckoo. The clock stands still. The cuckoo walks in a circle around the clock. At “open wide”, the cuckoo opens the clocks’ arms. On each “cuckoo” the cuckoo pops out from behind the clock.

5. Use some small percussion instruments to play the beat to the song. Then use the instruments to play the rhythm. I tend to be partial to rhythm sticks and castanets, both of which are really cheap options if you don’t have much in your classroom.

6. Make the rhythm! Depending on where your students are in the rhythm reading journey, you can have them put manipulative (like the clock cut outs in my resource) onto heartbeat sheets. Use one manipulative for ta and two on a beat for titi. Mini erasers are usually a huge hit for this activity. Or you could use popsicle sticks like I talk about in this lesson to make stick notation ta and titi. I have also seen people use straws for this activity, although I have not used them.

7. Make the melody! Cut out the words to the song. Put two lines on the ground with tape. Have students put the words onto the two line staff. Then you could have everyone practice that by themselves with bingo chips or mini erasers on a personal two line staff.

Free Elementary Music Lesson: The Tick Tock Song. This is one of my kindergarten and first graders' favorite songs! We use it for movement, rhythm, and solfeggi. It is perfect for sol-la-mi or ta and titi. Becca's Music Room



A few extensions:

  • Pair with Hickory Dickory Dock (free!)This is a fun nursery rhyme in 6/8. I like to use this as a warm up with movements.
  • Pair with a movement activity to The Syncopated Clock. I believe this is in the book Parachutes and Ribbons and Scarves, Oh My!
  • A clock race: Have students get into teams. One student runs up and changes the clock to a particular time, rushes back and the next student goes.
  • Rhythm clock: Have students work in groups to make a rhythm clock. They have to make a rhythm for each hour that adds up to the hour. This is more fun with older students who know a bunch of rhythms with different beats, but it can still be fun with the littles.

Need those heartbeat sheets? Get them in my free resource library! If you haven’t gained access yet, then do it by clicking here.

So there is the Tick Tock Song! This is one of my students’ absolute favorites. Between thing on and the Que Llueva song that I talk about here, it is hard to get them to sing anything else!

What are your favorite clock themed activities? What would you pair with the Tick Tock Song? Let us know in the comments!

Happy Teaching!



Free Elementary Music Lesson: The Tick Tock Song. This is one of my kindergarten and first graders' favorite songs! We use it for movement, rhythm, and solfeggi. It is perfect for sol-la-mi or ta and titi. Becca's Music Room



 

This is a powerpoint to go along with the song Tick Tick. It has the song lyrics, lyrics and rhythm (in regular notation and stick notation!), and rhythm and solfege. Becca's Music Room.
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Differentiation, Elementary Music

But how do I actually differentiate in the music room?

If you have been to any meeting, any class, or had a discussion with any teacher in the last five years, then you would know that the hot topic is differentiation. I hear it all of the the time. And last year I thought, there is no way that I can differentiate in the music room.

Turns out, I was wrong.

Now, music teachers are constantly differentiating without realizing it. I have a whole post about that here (which is really great if you need to prove you differentiate on your TKES!). This post is about being intentional with your differentiation.

As far as differentiating goes, we are certainly at a disadvantage. I teach 650 students– and I know other teachers who have even more. Most of us see our kids once a week. And we don’t have any MAP testing or iReady or whatever programs and tests your state uses to tell us what the kids know.

So… how do you actually get started with differentiation? How much work is it to differentiate? And when do I have time to do it? Let’s talk. Because I promise, it is less work than you think it is.


But how do I actually differentiate in the music room? This is a step by step guide to how to differentiate in your elementary music class-- from gathering data to grouping students to ways and ideas for differentiation. Becca's Music Room

So where do I start?

The first thing in differentiation is finding out what your students currently know– AKA a pretest. You can do this via paper and pencil, or through observation (I talk about a lot of different options for assessment in this post).

I started at the beginning of the year with a (short) pretest and interest survey that covered the major concepts we are working on this year. If it’s the middle of the year, don’t stress. You can also go unit by unit.

For example, my fourth graders have been working on treble clef notes for a few months now. And some of them are still not totally getting it. So, I gave them a super short quiz which told me how much they know and what some struggles are.

You can actually get that quiz in the free resource library– if you have signed up for the library, than you can click the “Free Resource Library” tab at the top of the page. If you haven’t, then you can signup here to get the password. Once you have the password, you can download anything that you want from the library– and check back, because I add more resources monthly!

You could even just use an assignment that they have done and use it as an indicator– even if it is not a quiz. I did this last week with my fifth graders and their write the room activity which told me that they needed some help with differentiating between the brass and woodwind families. It wasn’t an official “assessment” but it game me the information I needed!

So I have data… Now what?

I am a fan of simplicity when it comes to differentiation.

I take out three sticky notes. Then, I write an X on one, a – on one, and a check on the other. Then I divide the number of questions by three. This gives me the ranges for each sticky note. (I like to get these with the lines on them.) So if I had 12 questions on a quiz, students who got 1-4 correct would have an X, 5-8 correct would be a -, and 9-12 correct would be a check. I also like to put a star by anyone who got 100%– more about that later.

But how do I actually differentiate in the music room? This is a step by step guide to how to differentiate in your elementary music class-- from gathering data to grouping students to ways and ideas for differentiation. Becca's Music Room
Setting up my sticky notes. I write down the ranges for how many questions students get right. On this one, I went ahead and split each sticky into groups.

These sticky notes are the basis of my student groupings during centers. I like to have six groups, so I will split the names on the sticky notes into two groups. Each sticky note represents two groups. If they are not even, then I will adjust them (or if I have students who should not be together, then I will adjust them). In general, I will put – with X or checks, but do not put checks with X’s.

But how do I actually differentiate in the music room? This is a step by step guide to how to differentiate in your elementary music class-- from gathering data to grouping students to ways and ideas for differentiation. Becca's Music Room
An example of (fake) students in groups. You can see I moved one person of make the groups more even, and I made sure to put a check by their name to remind myself that they scored better on their test.

It is also how I decide who gets which activity when I am doing something like my treble clef dice activity, which has many different versions for different levels of understanding.

But how do I actually differentiate in the music room? This is a step by step guide to how to differentiate in your elementary music class-- from gathering data to grouping students to ways and ideas for differentiation. Becca's Music Room

So I have groups… Now what?

So now you have to decide how you are actually going to differentiate. There are three main ways that you can differentiate in the elementary music classroom.

Sidenote– you do not have to differentiate every. single. day. I probably do portions of lessons that are differentiated once or twice a month. Because if you are having a drum circle or playing Lucy Locket… how are you going to differentiate that?

Ok. So. On the days that you do want to differentiate (intentionally), there are three main ways: chunking, centers, and tiered instruction. (Although when you think about it, it’s all tiered instruction.) We’re going to talk about each one so that you know what they are and how you can do them.

Chunking

Chunking is basically the concept of not making students do things they already know how to do. If you have a few students who are a bit ahead of the others and have proven they understand the material, then they can have an alternate assignment.

I did this in January with one of my treble clef activities. On the pretest, I had 1-5 students in each class who got 100%. Instead of continuing to make them practice every day, I had the other students working on treble clef activities, and they worked on their recorder songs. They were still working– even still working on reading because they had to read recorder notes– but they were not bored while going over material they had down.

This is not something I would suggest doing with every activity, but it is good every once and a while, especially if you have been working on the same unit for a while. (Plus it makes the other kids work harder because they want to play recorder too!)

Centers

Next week’s blog post is going to be a deep dive into differentiating with centers, so I am not going to go super in depth here. But there are a lot of ways you can differentiate during centers. It is a great way to give students activities tailored to their skill level without them noticing that different people have different activities.

My centers differentiation is really just in one of the groups. One group is always the teacher group, and that is where I assess and differentiate. Sometime I have different lessons for each group, but most of the time, it is pretty much the same, but with different levels of guidance. So the group where everyone understands may not get any help from me while the group that is struggling will have a lot of remediation.

I really love having a teacher group for centers because I feel like I can give more attention to each student. I actually know my students and their musical capabilities much better now than I used to.

Also read: Music Center Classroom Management for “Bad Classes”

Tiered Instruction

The third main way to differentiate is through tiered instruction. This just means that students are doing different activities based on their levels.

If you are just getting started, this is where I would start. I would pick a concept, pick two activities and split the students up based on data from whatever quiz or observation you have.

One thing I will say is try to find things that are equally fun. Don’t give one group a worksheet and the other one a game. They don’t have to be the same, but they do need to be equally fun.

A few examples are:

  • Have one set of students play rhythms from flashcards and have the other set make up their own rhythms to play. (You could use these and these.)
  • If working on treble clef, one set of students can identify one note while the others find words (such as egg) on the treble clef. You can check that out in my TPT product here.
  • Have some students matching notes on the staff while others match notes and staff and recorder fingerings. Or have the second group write notes onto the staff because that is more difficult than matching.
  • Have both groups play a game like Kaboom!, but give one group more difficult rhythms. (You can get levels 1 and 2 in my TPT)
  • Have students create measures of rhythms with words. (Kind of like in this or this) You can give the lower group only one beat rhythms to manipulate and the higher group one beat and two or three beat rhythms. They will have to work harder to make sure they have the correct amount of beats in the measure.
  • When playing instruments, you can tier up by having staff notation and tier down by having just the letters or the letters inside of the note heads.
  • Have one group finding all of the letters in words on the treble clef and the other group coming up with their own words (like BAG or EGG or FADE) to put onto the treble clef like on this.
  • Have students play hands together instead of alternating hands on the xylophones.

Those are just a few ideas to get you started, but you get the point. It seems sooooo daunting– “I not only have to come up with lesson plans, but now I have to do twice as many!”– but once you start thinking of ideas, it is much more simple than you think.

Also, if your school groups students into classes based on ability level, you can differentiate for whole classes. Even with whole group lessons, I will adjust based on the collective understanding. For example, last week my students did an Orff arrangement of a Japanese song called Star Festival. One group did a great job with four different instruments and different patterns on the xylophones. In another class, it was a hot mess. So I ended up making the arrangement easier for the second class (I took out the glockenspiels and changed the xylophone part to hands together on the steady beat) and they were much more successful. And yes, that counts.

So how often do I have to differentiate?

That totally depends on you! Personally, I think as music teachers, we don’t need to do this every day. I do centers once a month with my upper grades, and I usually do one other differentiated activity in the month– but it depends on what we are working on! Right now my fifth graders are working on Orff skills and drum circles, so, frankly, I am not worried about differentiating right now. Music is inherently differentiated (don’t believe me? Read my post about the differentiation you are doing without realizing it here.)

With my younger students, I really don’t differentiate much at all. That may sound bad, but it’s the truth. I am much more concerned with them singing, playing, listening to music, and more.

Some lessons also lend themselves better to differentiating than others do. That’s why I keep going back to treble clef activities– they are so easy to differentiate!

Basically, you know your students. You know what is best for them. So you should do what is best for them. Sometimes that means tiered instruction, sometimes that means centers, and sometimes that means whole group drum circles. Do whatever is best.

But how do I actually differentiate in the music room? This is a step by step guide to how to differentiate in your elementary music class-- from gathering data to grouping students to ways and ideas for differentiation. Becca's Music Room

Do you differentiate in your elementary music classroom? How do you do it? Let me know in the comments so that we can have even more ideas!

Happy teaching!

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Elementary Music, Games, K-2, Lessons

Free Music Lesson: Grizzly Bear

Teaching dynamics in your elementary music class? Then you need to teach your music students the song Grizzly Bear.

This song is one of the main reasons that I decided to do a bear and mouse unit for my kindergarten and first graders this year. We did Grizzly Bear, Hickory Dickory Dock, Mouse Mousie, We’re Going on a Bear Hunt, and Brown Bear, Brown Bear What Do you see? We related forte to bears and piano to mice, like I outlined in this post.

Out of all of the different songs and activities that we did, this was the favorite.

There are a bunch of different games that go along with this lesson. I will include a few versions that I have seen/heard of along with the one that I actually did with my students.

You can get a lyric and rhythm sheet for FREE in my free resource library. All you have to do is sign up to get the password and then you can access all of the resources in the library! Sign up here!

Grizzly Bear: Free music lesson for piano and forte. This lesson is a song and game for kindergarten, first grade, and second grade. Includes free resource to help teach the lesson. Becca's Music Room

 

Grizzly Bear Lesson

  • First, I had the students warm up with the rhyme Hickory Dickory Dock (you can check out my FREE product on TPT here)
  • Ask your students: are mice loud or quiet? Musicians call quiet a special word– piano. What kind of animal is loud? (keep going until students guess a bear)
  • Sing the song for the students and have them listen the first time. It is extra fun if you walk around while you sing it because the students get really shocked at the end. Sing it again and have students hold their hands up high when it is forte, low when it is piano, or in the middle when it is in the middle.
  • Then ask for the students to join you in singing.
  • Ask them: If we don’t want to wake up the grizzly bear, what dynamic level should we be singing?

Also read: Free Music Lesson: Bizet Scarf Routine

 

The game…

Like I said, there are many different types of games for this song. I know of at least three different versions.

  1. Sing the song and walk around in a circle. One student is in the middle, laying on the floor. This child is the grizzly bear. At the end of the song, the teacher walks up and taps the child. The child jumps up and roars at everyone else. (I have also done this without anyone touching the child, they just hopped up at the end of the song.)
  2. Sing the song and walk around in a circle. One student lays on the floor in the middle– this child is the grizzly bear. At the end of the song, the bear gets up. All of the students have to be frozen. If they move, then they bear pretends to eat them. They have to get out of the circle (or just sit down).
  3. Sing the song and walk around in a circle. One student lays on the floor in the middle– this child is the grizzly bear. At the end of the song, the bear pops up. The other students try to get to a safe place in the room (maybe a wall or a carpet). The bear tries to tag the students before they get to the safe place.

Also read: Lesson Ideas: Creative Movement with Scarves

I used the first version until I heard the second version of it– then we switched. The third version looks like fun, but it is a little bit too chaotic for my population of students.

Don’t forget to sign up for the exclusive FREE RESOURCE LIBRARY so that you can download the lyric and rhythm sheets to go along with this song.

Which one do you like? Is there a different version that you like? Let us know in the comments!

Happy teaching!

 

Grizzly Bear: Free music lesson for piano and forte. This lesson is a song and game for kindergarten, first grade, and second grade. Includes free resource to help teach the lesson. Becca's Music Room

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3-5, Differentiation, Elementary Music, Lessons

Elementary Music Lesson: Treble Clef Dice

Are you looking for a new way to practice the treble clef? I was too. I am always looking for new ways to practice, preferably with little to no set up. This treble clef dice activity checked all of those boxes, and the students loved it.

If you have been reading my blog, then you may have noticed that I am getting more and more into differentiation. Music teachers differentiate all of the time (read about that here), but I am trying to do even better. This was one of the EASIEST ways to differentiate. Ever. Like, so easy.

I have seen a ton of classroom activities where students could roll a die to practice a skill, and I really wanted to do one as well. So I downloaded some dice clip art and made a few different worksheets so that it can be differentiated.

So, you can go download some clipart, or you can purchase my product off of TPT here.

In my product, there are 6 pages. One is just lines. One is just spaces. One has lines and spaces. One has words that students can spell (like ace, bag, etc). One allows students to make their own words with the letters from A-G. The last one is blank.

You can get some cheap dice at the Dollar Tree, or on Amazon like these.

Also read: DIY Music Manipulative: Treble Clef Battleship

Treble Clef Dice Activity + free treble clef quiz. Looking for a fun way to practice the treble clef in you elementary music room? This dice activity is engaging, fun, and differentiated, plus students get to practice the treble clef. Becca's Music Room

Treble Clef Dice Activity

For this lesson, I gave a really quick pretest the week before. This allowed me to separate students into groups. You can get a FREE treble clef quiz in my free resource library. If you have not signed up for access to the library, then you can sign up here.

Once I had graded the quizzes, I split the class into categories. I do this very simply. Just put an X, a -, and a check mark. I usually just do this on a scrap of paper or an extra long sticky note like these.

Split the number of questions into the number of groups you are making. For this lesson I did students who got all 10 correct, 6-9 correct, and 1-5 correct. Yes, I know this isn’t even, but I wanted to give something different to kids who had 100%.

It seems like a lot of work, but once the pretest is graded it only takes a few seconds to split them up.

Treble Clef Dice Activity + free treble clef quiz. Looking for a fun way to practice the treble clef in you elementary music room? This dice activity is engaging, fun, and differentiated, plus students get to practice the treble clef. Becca's Music Room
Here is an example of how I do student groups. If I am actually putting them into groups, then I will still make this chart first, then separate them.

 

Then we did our dice activity. In these activities, the students roll a die. Each number coordinates with a letter on their recording sheet. On the sheet, they will record answers. They write the letter on the line and then put a whole note or solid dot on the treble clef.

I used three different recording sheets to differentiate. You could just use two, but I went with three. What did they get?

  • X got the sheet with both lines and spaces but only one letter.
  • — got the sheet with words for them to find on the treble clef. They had to practice putting the notes in the right order, which was a bit of a struggle for some of them.
  • Students who got 100% on the pretest got a worksheet where they had to come up with words using the letters A-G and then put notes on the treble clef to correspond with them.

Once they were finished, students turned in the sheets and went to get their recorder.

Also read: Assessment without “Assessment”

Treble Clef Dice Activity + free treble clef quiz. Looking for a fun way to practice the treble clef in you elementary music room? This dice activity is engaging, fun, and differentiated, plus students get to practice the treble clef. Becca's Music Room

 

So that’s it! It is really not complicated when you try to explain it. I hope that you found the piece on differentiation helpful. I feel like it is one of those things that sounds intimidating, but it’s really not– it’s all about giving kids what they need to succeed.

To help you, you can get a FREE treble clef quiz in my free resource library. If you have not signed up for access to the free resource library, then you Sign up here.

You’ll get the password to the resource library, plus I will send updates once every other week.

Get my version of the treble clef dice activity here.

And let us know in the comments what your favorite treble clef activity is!

Happy teaching!

 

Treble Clef Dice Activity + free treble clef quiz. Looking for a fun way to practice the treble clef in you elementary music room? This dice activity is engaging, fun, and differentiated, plus students get to practice the treble clef. Becca's Music Room

 

FREE treble clef quiz for elementary music, beginning band, choir, or music theory class. Just sign up for the free resource library! Becca's Music Room

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Uncategorized

Christmas Music Lesson: 12 Days of Christmas

Ah, Christmas. So many songs, so little time. Every year I feel like I cannot narrow down how many songs I want to do. How do you get to them all? Anyway, my fourth and fifth graders are in the middle of a huge recorder unit, and I did not want to put that on pause to do a bunch of Christmas music (we’re doing the Link Up curriculum, and we are on a deadline!). So I only picked a few songs for my 4-5 graders, and the 12 Days of Christmas was our main song.

This song is so much fun, and so easy because it is cumulative.

There are about a million things that you can do with this song, but I narrowed it down to a few. I used a PDF version of a PowerPoint that I made, which you can check out on TPT here.

It is also part of my music lessons bundle, which has 6 different Christmas lessons at a discounted price, which you can get here.

You can also check out my free Oh Christmas Tree Music Game (with free lyric sheet and coloring sheet) here.

Christmas Music Lesson: 12 Days of Christmas. Super fun lesson for upper elementary school to teach singing, movement, writing, and fun! Becca's Music Room



 

12 Days of Christmas

  • First, go over the words to the song the 12 Days of Christmas. It is super easy, so we just read through the words and then I started singing the first verse and by the second verse, they had figured it out.
  • Next, have the students sing through the song. You can play it on the piano or use a YouTube video to sing along with.
  • Pick one student to create movements for each gift. So one student will pick and lead movements for a partridge in a pear tree. One will do it for two turtledoves, etc.
  • Sing through the song and have the students follow the movements that the leaders for each gift choose. Again, you can accompany on the piano or ukulele or you can play a recorder version.
  • Then, you can create a new version of the 12 Days of Christmas. I project the page from my 12 Days of Christmas product that has the first half of each line and then write the students’ answers on the board. Let the kids pick what they get on each day.
  • Sing through the song with your kids’ version of the song. This will need to be done a cappella or with the piano or ukulele or guitar. You can’t sing it with the recording because the words will be different.
  • Have students create individual versions of the 12 Days of Christmas if you need to include more writing in your curriculum!
  • Last, you can have students color pictures or their 12 Days of Christmas or the original version. There are coloring sheets in my product, if you get that.

Christmas Music Lesson: 12 Days of Christmas. Super fun lesson for upper elementary school to teach singing, movement, writing, and fun! Becca's Music Room



 

So there you go! Movement, writing, singing, and fun. My kids enjoyed this immensely! They thought it was so much fun. And I enjoyed it too!

Also check out my free Oh Christmas Tree music lesson/game for what I am doing with my second and third graders. Or you can get the Christmas in the Music Room Bundle and get enough lessons for the rest of the year!

And check out the decorations and books I got for my classroom in my YouTube video.

Want to get access to exclusive content? Sign up to join my FREE RESOURCE LIBRARY. Once you sign up, you can download and use any of the content in the library. New things are being added every few weeks, so make sure you check back for more FREE stuff! Sign up here.

How do you teach 12 Days of Christmas? Let me know in the comments!

Happy Teaching!



Christmas Music Lesson: 12 Days of Christmas. Super fun lesson for upper elementary school to teach singing, movement, writing, and fun! Becca's Music Room



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3-5, Elementary Music, Games, K-2, Lessons

Music Christmas Game: Oh Christmas Tree

Are you looking for some really fun Christmas lessons? I feel like I am always looking for ideas, and I have a hard time narrowing down the amount of songs that are available for the holidays. I was looking for a song that was common enough that I wanted all of my students to know, but different enough that not all of them would know it. Oh Christmas Tree was the perfect combination or common but unknown by my third graders.

And you know what? In the first two classes I have used this song with, I had a total of about 5 students that knew it.

You could use this song to work on low sol (each line goes sol-do) or for teaching dotted eighth note sixteenth note rhythms. But you know that I used this song for? Fun.

And that is ok.

I am using some of my other songs to push concepts we are working on, but for this one we just had fun.

And we had a lot of fun.

If you are looking for a a bunch of Christmas ideas, check out my Christmas in the Music Room Bundle on TPT.

If you don’t want that many ideas, you can check out the links and see the individual products that are in the bundle.

Christmas Music Game: Oh Christmas Tree. Super silly and fun game for the song Oh Christmas Tree or Oh Tannenbaum. Includes a free lyric sheet and Christmas coloring sheet! Becca's Music Room



Oh Christmas Tree

So how do I play the game?

  • First, teach the students the song Oh Christmas Tree. You can see the sheet music in Beth’s Music Notes here or get my free lyric sheets (for projecting or printing) in my resource library here. If you do not have the password to the resource library, you can get it by joining my email list! Then you can get all of the free resources.
  • Sing the song and focus on the contour. I love to use scarves and have students move the scarf up when the song goes up and down when the song goes down.
  • Have students get into groups. It really doesn’t matter how many are in each group, but I like to do 2-4 for this game.
  • Then, have one student stand with their arms straight out. This student is the Christmas tree.
  • Sing through the song Oh Christmas Tree. During the first verse, have students decorate the Christmas tree in their group. Give them a box with a bunch of (non-pointy or breakable!) Christmas decorations. I went to the Dollar Store and bought garland, tinsel, and some ornaments with strings instead of hooks.
  • During the next verse, have the students undecorated the Christmas tree.
  • Then sing the next verse (or the first one again) and have a different student be the tree.
  • Repeat as many times as desired.

Also read: Free Music Lesson: Bate Bate Chocolate

Christmas Music Game: Oh Christmas Tree. Super silly and fun game for the song Oh Christmas Tree or Oh Tannenbaum. Includes a free lyric sheet and Christmas coloring sheet! Becca's Music Room



 

And there you go! This is super easy, super fun. I just left it there, but you could add some more things like:

  • Decorating paper trees or plastic trees with rhythm or melodic composition ornaments like these
  • Read a Christmasy book like this one or this one which is a super cute eBook with Phineas and Ferb! (I have not read them, so don’t hold me to how good they are, but the previews are cute!)
  • Watch The Charlie Brown Christmas movie. I know this may be too religious for some schools, but man it is cute. If it is too Christmasy, then you can watch Frosty the Snowman which is not Christmasy.

What are you doing for Christmas in the music room? I am doing all of the lessons from my Christmas music bundle on TPT! Do your students know the song Oh Christmas Tree? Let me know in the comments?

Happy teaching!



Christmas Music Game: Oh Christmas Tree. Super silly and fun game for the song Oh Christmas Tree or Oh Tannenbaum. Includes a free lyric sheet and Christmas coloring sheet! Becca's Music Room



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Elementary Music, K-2, Lessons

Free K-1 Music Lesson: Beat v. Rhythm with Soul Music

If you have been reading my blog for any amount of time, you will know that I love to teach students about different kind of music. We do tons of listening activities with music from all different places. This is partially because of my personal teaching philosophy, and aided by the program that my students do called Musical Explorers. There are now three of four places that do the Musical Explorers programs. Basically, we learn about six different styles of music and go to two different concerts every year. This year, one of our styles is soul music!

I was really excited about the soul music style, because it is really great for beginning of the year, because it is very accessible (more accessible than the music from Mali, which is definitely my favorite for this semester). And what are we talking about at the beginning of the year?

Beat v. rhythm.

Now, I used variations of this lesson with my kids from kindergarten to third grade. Obviously, we didn’t do exactly the same thing with my kindergarteners and my third graders, but we did parts of it. This version of the lesson will focus on what I did with kindergarten and first grade.

We start working on steady beat as soon as the school year starts with my kindergarteners. We don’t name it right away of course. By the time we get to October, they get the concept pretty well (most of my students can keep a decent steady beat the first week!), so we start talking about rhythm.

This lesson is just to prep students for the concept of rhythm. We did not actually learn ta and titi yet, we are just getting used to the idea that the beat is steady and rhythm is not.

Free heartbeat beat charts! There are charts in 2/4 3/4 and 4/4, with the quarter note on the bottom or the real time signature (or none!). Help your students work on the steady beat and rhythm with there free beat sheets! Becca's Music Room

Also, in this lesson we use beat charts. I have a free beat chart (in 4/4, 3/4, and 2/4) available in my free resource library. This is a new thing I am rolling out to help you get free stuff! Sign up for my email list and I will send you the password to the library. Once a member, always a member. More things are being added every few weeks, so check back to see what is new. Sign up here.

If you already have the password, then you can click on the picture above or the “free resource library” tag at the top of the page to get it!

 

Also read: Free K-2 Music Lesson: A Train Jazz Lesson



Soul Music and Beat v Rhythm

  • Listen to the song, I Feel Good and have students follow you by keeping the steady beat. Switch where you are keeping the steady beat while listening.
  • Tell the students that this is the beat. Tell them the beat is steady, which means that is stays the same. Another thing that has a steady beat is your heart beat. Have them try to find their heartbeat.
  • Give them a page with heartbeats on it to track. Students can point to the steady beat while listening. You can get a FREE one in my resource library here!
  • Show them the Musical Explorer page here. It has the rhythm for the song along with the heartbeat. Have students walk up and point to the steady beat on the board while the others are keeping it at their seats.
  • Afterwards, ask the kids if the beat changed. (They should say no!) Then ask them to look at the rhythm. I tell my students that rhythm is the long and short notes that do change. Even though I have not showed them ta or titi in kindergarten (although first grade has a handle on this), I will show them the rhythm of the song. Then I ask, “Does the rhythm look the same?” I will point to some of the extra weird looking ones. Then I will say some of the words and have students play the rhythm (one tap for every sound). on their legs.
  • Then we listened to I Heard it Through the Grapevine. I had students keep the steady beat by holding up their right hand, then their left hand, and back an forth. This prepped us so that we could play tambourines on the backbeat! We love our blue star tambourines, and the kids are excited for any chance to use them.
  • Usually on the next day or a different day, I will pull in beat and rhythm with a song they have already learned to focus on ta and titi. In this case, I am using 2, 4, 6, 8 Meet Me at the Garden Gate, which you can check out here.
  • I like to have students use the popsicle sticks to make rhythms almost immediately after showing them what they look like. I talk a lot about popsicle stick rhythms in this post.



Extensions:

  • Have the students learn the dance to I Heard it Through the Grapevine. It is pretty simple- step out, step across, step out, together. Then you go the other way. With the littles, I just taught it as step, together, step, together until they got it.
  • Have students draw pictures of grapevines (if you are in GA, parts of a plant is a first grade standard. Bonus points if you have them label their leaves and stems!)
  • Have students write or draw a picture of something that makes them feel good.

I hope that is helpful! It is really just an introduction to the concept of having beat and having rhythm. I did not use this to introduce rhythm (I saved that for 2, 4, 6, 8) but this helped students realize the difference between the two. Plus, it was fun! I mean, who doesn’t love soul music?

If you liked this post, make sure that you share it so more people can enjoy it too! You can get access to my FREE RESOURCE LIBRARY (which includes the beat charts I talked about here) by signing up for my email list here. I only send out two emails per month, usually announcing some free stuff!

Happy teaching!





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Elementary Music

Assessment without “Assessment”

Assessment. This is one of the favorite words in education these days. Principals love assessment, district chairs love assessment…. Do teachers love assessment? Not really. Do kids? No.

But you can change that. At least you can change that in the elementary music room.
Most of us see our kids about once a week. My schedule is different this year, so I see one class for 45 minutes a day for a week, and then I do not see them for another five weeks.

Do I want to give up one of those days to stop everything and have kids do a test? No.
And a lot of our skills cannot be assessed from a paper. You cannot use your singing voice by writing on a paper.

So how do we do assessment in the music room without giving up all of our precious time? Here are a few ideas. You may already be doing some—or all—and that is great. You can add your ideas to the comments below. But if you are stumped by assessment in the music room, here are some ideas.

But wait…

Now, if you follow me on Instagram, you will see that I did give my students a drop-everything-and-take-a-test this year. I did this for a pretest with grades 2-5. And it did take almost the whole class period.

But I will say that it was worth it, because I found out soooo much about my students. The top half was a pretest and the bottom half was an interest survey. I found out what students enjoyed and didn’t enjoy (one of them said “Something I don’t like about music is not chewing gum.”).

It was also interesting, because I thought my students would freak out and be really miserable filling out this paper in music, but they did ok. And some of my worst classes actually behaved better, which I found interesting. If I continue to have issues with the one in particular, I may switch to a totally different teaching format for them.
Anyway. I would not do that for every single unit. I did one at the beginning, and I will do one at the end. Now, for what you came here for…

Also read: Routines You Need in the Music Room

Assessment without "Assessment" in the music room. I don't know about your music room, but in my elementary music class, I hate stopping everything to take a test. But we still need to know what our students know. Here are some ideas for assessment that does not interrupt your learning! Becca's Music Room



Assessment while doing an activity

This is probably the most common and easiest thing to do. You teach an activity and while they are doing it, you just check off who is doing is correctly. I suggest having a seating chart (seriously– you should have a seating chart!) with boxes on it so that you can mark students off.

I don’t do anything fancy when it comes to this. In my room, students either get a check (they are doing it right), a line (almost there), or an x (don’t have it right).

I do this almost every day. Sometimes I walk around during a game and check off who is matching pitch. If we are writing rhythms on white boards, I check off who has the correct amount of beats. We will play a game like Kaboom! and I will check off who is doing the rhythms correctly. If we are doing a form activity like this one, I’ll check off who is switching actions at the appropriate time. If we are keeping the steady beat, then I will check off who is doing that. If we are playing instruments, I will check off who is playing them correctly.

Even if you are not writing this down, you are probably doing it in your head. So just put it down on paper.

The more intentional you are about it, the more things you will find that you can use for this.

And the kids don’t even know they are being assessed.

 

Assessment during centers

This is also very helpful. If you have read this post about centers, then you know I usually have one group that is with me. And this is the perfect time for assessment. A lot of times I will do things that are very similar to what I would do whole group, but with only a few students it is easier to assess them all.

And if you are wondering, I do differentiate my centers. If you are interested in hearing more about that, let me know in the comments!

I also like to pull out things like writing rhythms on white boards or putting bingo chips on letters on the staff during this time. Those are easy things to assess that go over pretty well.

If you don’t anchor yourself at one center, you could just walk around and listen to students and check them off.

I like to have my station where students get a grade and also include some sort of written assignment where they get a grade. This could be writing a rhythm, writing lyrics, drawing a picture about a song we learned, etc.

Also read: Setting up Centers: The first Day

Assessment without "Assessment" in the music room. I don't know about your music room, but in my elementary music class, I hate stopping everything to take a test. But we still need to know what our students know. Here are some ideas for assessment that does not interrupt your learning! Becca's Music Room



Assessment through exit tickets

I will be honest, this is something I am not good at.

Exit tickets are traditionally quick things students write and hand to you at the end of class. People do this very well, and it is a good way to get quick information about if your students are understanding a particular concept.

The reason I do not do well with these is because my students sit on the floor. In order to write anything, we have to pass out paper, pencils, and clipboards. By the time that is passed out or collected, we have now spend 20 minutes on it, and it is no longer an exit ticket. This is a bit too much when we are also trying to line up (and with some classes, that itself is a struggle).

I am experimenting with some exit ticket designs that do not require a lot of stuff. Here is my first attempt, which you can get on TPT.

And if you know of something, please let me know in the comments.

 

Recording Assessments

This is something I have not explored very well either. I have, on occasion, filmed a whole class working on a dance or instruments or something like that and then gone back later to watch it and assess students. This can be done while students are already doing their stuff and it doesn’t take extra class time.

I have heard of people having students use the SeeSaw app on iPads to have students record themselves. I plan to try this once my iPads are up and running!



Also read: DIY Music Manipulative: Battleship

You can also subscribe to my email list here. You will get two emails a month with updates about my blog, YouTube, and TPT shop. You will also get a FREE music interest survey for signing up!

How do you do assessment in the music room? Do you have drop-everything-and-test days? Do you do it sneakily? Let us know in the comments!

Happy teaching!



Assessment without "Assessment" in the music room. I don't know about your music room, but in my elementary music class, I hate stopping everything to take a test. But we still need to know what our students know. Here are some ideas for assessment that does not interrupt your learning! Becca's Music Room



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Elementary Music, Management

What do I do with fifth graders? Classroom Management

Ah, fifth graders. What will we ever do with them?

Last week we talked about what to do with fifth graders in the elementary music room as far as lessons go. Check it out here.

Today we are talking about dealing with behavior in fifth graders. Because we all know that no learning can happen if the students are out of control. We also know that what works with the Kindergarteners will not work for the fifth graders who are eleven. And sometimes twelve. And I have at least one who is thirteen.

Please don’t think that I am an expert, because I am certainly not. I cannot guarantee that if you walk into my classroom, everything will be magical. I try really hard, and I am getting there, but still have some ways to grow.

That being said, I have tried a lot of different tactics when it comes to behavior management. I have some things that have worked and some that have not. I have also observed a lot of things that worked/did not work.

Also read: Vamos a la Mar Orffestration

What do I do with fifth graders? Part 2: Classroom management. If you teach elementary music (or elementary art or elementary PE), then you may be struggling with controlling your fifth graders. Don't sweat it. We have all been there. This post has lots of tips and tricks to figure out what to do with fifth graders-- even if you are a new teacher! Becca's Music Room.

A few quick tips….

See how the class acts with the teacher

If you have a particularly difficult class, watch how they act with their teacher. If they go to different classes, try to see how they act with all the teachers that they see. Sometimes you may be having a hard time with a class, but their teacher is having a hard time all of the time. If they are used to wild and crazy with no classroom management all day long, then you are fighting an uphill battle trying to get them to behave for you. It is possible, but keep that in mind.

Review the expectations

You may have seen my Things I’m Doing Differently in my Second Year of Teaching post, but last year, we talked about the rules once and then never again. This year, we are reviewing them almost daily, depending on which fifth graders I have. I have rhythms associated with each expectation (you can see them in my classroom reveal post), and we will clap them at the beginning of almost every class. This also gives me the chance to talk about anything specific that I have seen that I don’t like. It takes like 30 seconds, and I do think it matters. When someone is not doing what they are supposed to, I will literally point to it on the board and remind them of the expectation.

I know it’s making a difference because yesterday, one of my second graders said, “We didn’t do those rhythms!”

Be Consistant

If something was a call-able offense yesterday, then it needs to be a call-able offense today. Don’t laugh at a joke Monday and get mad about the same joke on Tuesday. Kids need to know what you are ok with or not ok with. They need you to be the same person every single day.

Make the Rewards worth it

Now, when you have a kindergarten class, you can start giving out little star stickers to kids doing a good job, and all the others will straighten out. Your fifth graders, however, and probably not going to care about a sticker. You need to make rewards match the age group. That doesn’t mean you have to spend a ton of money or that you need to go crazy, it just means that you need to get a little bit creative.

You can get some ideas from my post about cheap or free incentives. You can also get some reward cards from my TPT here. Writing a nice note home can make a huge difference– even with fifth grade!

What do I do with fifth graders? Part 2: Classroom management. If you teach elementary music (or elementary art or elementary PE), then you may be struggling with controlling your fifth graders. Don't sweat it. We have all been there. This post has lots of tips and tricks to figure out what to do with fifth graders-- even if you are a new teacher! Becca's Music Room.

Some bigger tips….

 

Be very specific (the strike system)

This goes for all of your grade levels, but when it comes to behavior and classroom management, be very specific. Way more specific than you feel you need to be. This is something that I just amped up.

I have always said things like, “You need to do a good job so that you can play the instruments.”

We probably all say things like that, right?

But what constitutes a “good job”? Does that mean that talking is ok but punching people isn’t? Does it mean that you speak to them once? Twice? Six times? Does it mean they sat quietly for two minutes? All students—especially fifth graders—need to know where the line is.

I have started to do a strike system. It seemed really mean at first, but it is so helpful because the students know exactly where they stand. Basically, if a student does anything they are not supposed to—gets out of their seat, talking without permission, being rude, etc—they get a strike.

The first two are warnings. If they get three, they are out—they do not get to do our fun thing that day. This is usually something I was already planning on doing, like playing a music game or using the instruments. If they get four strikes, they are out for the rest of the day. If they get five, then I call mom and they have to write an apology letter either during the next class period or during lunch (they get to choose which one). I see them every day for a week at a time, so I tell them if they get to five strikes twice in a week, then they get actual detention.

Side note– You may not have this problem, but at my school, kids pretty much never stay for detention. That’s why I started doing lunch detentions. And if you do lunch detentions, make sure you document them somehow. I just have a sign in sheet.

I know, it sounds so mean!

But really, it is way less mean than trying to make the judgment call for yourself about whether a student should or should not play the instruments or whether or not you call home. This takes the responsibility off of you and onto the students. They will appreciate knowing what to expect. The students know where they stand, and it allows them to monitor their own behavior.

I have even heard them say, “I’m at two, I can’t do anything again.” This does not mean that they never get to three strikes. But standing firm does make a difference. And they will get it. Even if they still get strikes, they will eventually (eventually) get less.

I have a whole video explaining this here.

Don’t Be Afraid to be Mean

This one goes along with the last one. I told you, it sounded mean, but it’s not. And every time that I do let someone know they have not earned their instrument time or that they have earned a phone call and alternate assignment, I feel mean. I do not feel good.

But you know what is really mean?

What is mean is letting students think that they can have inappropriate behavior and still participate in the rewards. It is not fair to them and it is not fair to the students who did what they were supposed to. If you say something, you have to follow through. Even if it is “mean”.

And you know what I have found?

Time and time again, when I give fifth graders detention or call mom or give them an apology letter, they respect me more. Not in the moment, but the next time they see me, they appreciate me. They will give me a hug. They will smile and talk to me.

I was sooooo freaked out the first few times this happened. I’m like, “I called your mom and gave you detention and now you are hugging me?”

Yes. Because they now know:

  1. Where the line is drawn (that consistently thing again)
  2. That you care enough to not let them off the hook
  3. You mean what you say

Also read: Keys to Classroom Management in the Music Room

Save Your Teacher Voice

We have all heard of the “teacher voice”. I use mine mostly with fifth graders, so I call it my fifth grade voice. (As in, “I should not have to use my fifth grade voice with my first graders.”)

Basically, your teacher voice is your strong voice. It’s not screaming, but it is louder and forceful. It says, “I’m in charge.”

Teacher voices are important and usually necessary.

However.

If you use your teacher voice (or just straight up screaming) ALL THE TIME, they will tune it out. They won’t notice it anymore. They won’t care. I’m sure you can think of a teacher where every time you see them, they are just screaming. Do the kids care? Nope. Are they listening? Nope. Is it helping? Nope.

Don’t be that teacher.

Save your teacher voice for when it is necessary. The greatest thing about teacher voice is the element of surprise. If you use it too much, the element of surprise goes away. I try to only use my teacher voice when there is a serious problem. Usually only if someone hurts someone else or looks like they are about to hurt someone. I can tell that I am using it appropriately because half of the students will look at me with these super shocked faces because they’ve never heard me raise my voice. And that’s how I know it’s working.

Some specific classroom management things…

  1. Have a quiet signal: Have some sort of signal to get students quiet. Or have a few signals to get quiet. I use some chimes. If I ring my chimes, all of the students raise their hands until the sound stops. I use ones like this, but I have seen other teachers use these because they are more mobile.
  2. The points system: I talk about this in this post. This is a whole group reward system. The class works together to earn points for… something. Because of my funky schedule, my classes work towards game time on Friday. They get either 10 or 20 minutes of a game of their choice on Friday if they earn their points. 20 points=ten minutes and 25 points= 20 minutes.
  3. The card system: I also talk about this one in this post. This is individual (this would replace the strike system I talked about earlier). If a student is doing a good job, they get a green card. If they have it at the end, they get to do something special. If they are not doing the right thing, they get a yellow card (it’s a warning). If they continue, they get a red card. That means they get a parent phone call and lunch detention.
  4. The envelope system: I have a video about this which you can see here, but basically if a student does a good job, they get to write their name on a paper and put it in an envelope. On Friday, I pull out three names from the envelope and those three people get a prize.

What do I do with fifth graders? Part 2: Classroom management. If you teach elementary music (or elementary art or elementary PE), then you may be struggling with controlling your fifth graders. Don't sweat it. We have all been there. This post has lots of tips and tricks to figure out what to do with fifth graders-- even if you are a new teacher! Becca's Music Room.

So those are some ideas! This is another super long post, but I feel like this is a really important topic. Read part 1 here— it’s all about lessons for fifth graders.

Also read: Bate Bate Chocolate

A note of encouragement: If this is your first year at a school, it will get easier. I have noticed that my fifth graders this year are easier to handle than my fifth graders last year, and the only big change I can see is that I know these students better.

If you are interested in the FREE MUSIC INTEREST SURVEY we talked about in the last post, or getting access to other free resources, sign up for my email newsletter. I send out two emails a month– usually talking about one of the free resources available in the resource library. Once signed up, you can download and use any and everything in there! Sign up here!

What do you do to keep your fifth graders in line– literally and figuratively? Let us know in the comments!

Happy teaching!

 

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